lemistik

недеља, 22. јун 2008.

biografija

Mile Albijanic Biography

Born in 1963, the 19th of October in Niksic. Graduated on Pedagogic Academy in Niksic, Department of fine art. Member of Fine Artists Society in Niksic. Deals with painting, graphics, collage and photography, interior and graphic design.
Mail. albiart@gmail.com.

Joint exhibitions

Works of pedagogues from Bosnia and Herzegovina in Labour University “Djuro Djakovic” – Sarajevo, 1991.
The sixth international biennial of miniature art – Gornji Milanovac, 2000.
The gallery “Forum” Niksic-art, 2002.
The first interbalcan Forum of Contemporary miniature art 2002 Thesaloniki, Greece.
The first spring biennial of miniature Niksic, 2005.
The sixth biennial of watercolour of Serbia and Montenegro – Zrenjanin 2005.
The gallery of NUBS, biennial of collage and assemblages – Beograd, 2005.
The exhibition of collage in gallery “The house of Djuro Jaksic” – Beograd, 2005.
The eighth international biennial of miniature art – Gornji Milanovac, 2005.
Joint in inn “Pasha” – Niksic, 2006.
Second international biennial of the fine art nude “Marko K. Gregovic”, 2006.
1nd international digital video art festival, “namaTRE.ba”, Trebinje, 2006.
2nd international biennial of collage and assemblages, NUBS, Beograd, 2007
Art gallery 107, graphics 107*107, Beograd,2008.
Curtular center, Zrenjanin, art 30*30, Zrenjanin, 2008.

Independent exhibitions

The Cultural Artistic Society “Zahumlje” – Niksic, 2000.
The club “Tvrdjava” – Podgorica, 2000.
The gallery “Stanisic” – Niksic, 2002.
Cultural Informational Center “Budo Tomovic” – Podgorica, 2002.
The gallery “Dom Sveti Vasilije Ostroski” – Niksic, 2003.
Inn “Pasha” – Niksic, 2006.
“Crvena komuna” – Petrovac on the seaside, 2006.
King bar, hotel Rivijera, Petrovac on the seaside, 2006.
The gallery,”Josip Bepo Benkovic”, Herceg novi, 2007.
The gallery, “Forum”, Niksic, 2007.
The gallery, Cultural Center, Bijelo Polje. 2007.
The gallery, “SPA GALLERY”, Igalo, 2008.

o mojim radovima...kritik...

“This is painting of expressive prosody, “meeting of subjective and historical memory”, which aim is to present simultaneous correlation between real, imaginative, past and present. Specifically, transformations of visual data find their place in abstract compositions along with associative forms which indicate or rationally transfer specific characteristics of natural shapes. On exhibition “XXX” Albijanic presented himself with watercolors and as colourist on which he projects small pieces of his memory and natural elements. Clashing and imbuing of material, shape, recipients of the past and modern times, he managed to connect foreign elements, which on his work exist together like bearers of subjective ideological and poetical paradigms.

The area of composition is closed, confined on plastic core which is defined successively and rhythmically organized frontal shapes, which are set in strata structures which open area plans towards virtual depth. In this painting of classical tranquility, which sank into silence of stopped time, elements which give him new quality appear. While objects of “real world”, which are usually fishes, presented with the mimetic precision, Albijanic’s fantasy and need for game developed in decorative sequences which are clear in plastic layer of the painting. Discipline and arrangement, spirit of synthesis and simplicity, make characteristic of his strictly controlled compositional complexes in which reflects inside activity of an artist who is urged with strong emotional and sensual unrests.”

“On this exhibition he presented himself with oil paintings, on which dominates his favorite motive of fishes (it is usually couple set in symmetrical relation) and it is in metaphysical, undersea area which is saturated with light, as clearly defined form with characteristic shape and measure peculiarities.

Although he devoted to painting during last years, Mile Albijanic shows remarkable maturity of an artist with prominent expressive note, inspired with unique spirit genius loci, who knows what he wants and he does it in the best and in the most sincere way.”

Historian of art Ljiljana Zekovic